Conceptual and

Activist Artleft side

On Kawara

The Today Series of

Date Paintings

1966

Installation view

[Fig. 22-04]

Marcel Broodthaers

Ground plan of Musée d’Art

Moderne at Le Coq, on the North

Sea coast of Belgium

View of the ground plan of the

Section Documentaire, August 1969 [Fig. 22-07]

Michael Asher Situational Work

Bruce Nauman

Self-Portrait as a Fountain

1966–70

Color photograph

19-3⁄4 × 23-3⁄4”

Edition of eight

[Fig. 22-17]

Bruce Nauman – Walking in Contrapposto

https://www.youtube.com/watch?v=x7DWz_jMtR4Bruce Nauman’s Waling to Drake’s - Shut it Down

https://www.youtube.com/watch?v=uX4JERWvpak

Bruce Nauman – Lip Sinkhttps://www.youtube.com/watch?v=hbT9GGJdKOs

Peter Campus

http://youtu.be/Ar99AfOJ2o8

Vito Acconci

Seedbed

1972

Performance

Vito Acconci

Gilbert and George

The Singing Sculpture (“Underneath the Arches”)

1969

Presentation at the Sonnabend Gallery New York

[Fig. 22-27]

Judy Chicago

The Dinner Party

1974–79

White tile floor inscribed in gold with 999 women’s

names; triangular table with painted porcelain, sculpted

porcelain plates, and needlework, each side 48’

The Brooklyn Museum of Art

New York [Fig. 22-32]

Édouard Manet

Olympia

1863

Guerrilla Girls

The Advantages of Being a Woman

Artist

1988

Poster

[Fig. 22-35]

Judy Baca Great Wall of Los Angeles 1976–83 Length 1 ½ mile

Post MinimalismEarth Art

New Imagists

Eva Hesse

Accession II

1968

Galvanized steel vinyl 30-3⁄4 × 30-3⁄4 × 30-3⁄4”

Detroit Institute of Arts

[Fig. 23-04]

Mario Merz

Giap Igloo—If the Enemy Masses His Forces, He Loses

Ground; If He Scatters, He Loses

Strength

1968

Metal tubes, wire mesh, wax, plaster,

and neon tubes height 3’ 11-1⁄4”,

diameter 6’ 6-3⁄4”

Robert Smithson

Chalk–Mirror Displacement

1969

16 mirrors and chalk

approx. 10” in diameter

Art Institute of Chicago

[Fig. 23-21]

Richard Long

A Line in Ireland

1974

Framed work consisting of photography and text

50-3⁄4 × 32 × 1-5⁄8”

[Fig. 23-25]

Rachel Whiteread

Nameless Library

2000

Cast concrete

30’ × 23’ × 12’ 6”

Judenplatz, Vienna Austria

[Fig. 23-36]

Post Modernism

Ex Chippendale style highboy chest

I. M. Pei

Grand Louvre Pyramid

1988

Paris

[Fig. 24-21]

Chuck Close

Linda

1975–76

Acrylic on linen

9 × 7’

Akron Art Museum, Ohio

[Fig. 23-37]

Philip Pearlstein

Nude with Legs Crossed

1974

Oil on canvas

48 × 40”

Collection of Lewis and Susan Manilow Chicago

[Fig. 23-46]

Jenny Holzer

Selection from Truisms

1982Spectacolor

Board

20 × 40’

Installation Times Square

New York

[Fig. 24-48]

Gerhard Richter

Vase

1984

Oil on canvas

7’ 4-1⁄2” × 6’ 6-3⁄4”

Museum of Fine Arts, Boston

[Fig. 25-09]

David Salle

Tennyson

1983 Oil & acrylic

on canvas

6’ 6” × 9’ 9”

[Fig. 25-17]

Andres Serrano

Piss Christ 1987

Cibachrome, silicone, Plexiglas, wooden frame

65 × 45-1⁄8 × 3⁄4” framed

60 × 40” unframed

Edition of four

[Fig. 26-01]

Bill Viola

The Theater of Memory

1985

Video/sound installation

Orange County

Museum of Art,

California

[Fig. 26-13]

Yasumasa Morimura

Portrait (Futago) 1988

Photographic chromogenic

print with acrylic paint

and gel medium

6’ 8-3⁄4 × 9’ 8”[Fig. 26-23]

Matthew Barney

Richard Serra as “Fifth Degree,”

Cremaster 3

2002

Video to film transfer182 mins.

[Fig. 26-26]

Mona Hatoum

Corps Étranger (Foreign Body)

1994 Video

installation

137-3⁄4 × 118 ×

118”

[Fig. 27-18]

Bjarke Ingels—3 Warp-speed Architecture Tales

http://digital.films.com/PortalViewVideo.aspx?xtid=48455