Post on 27-Mar-2016
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CARP creators Caravaggio Bonetto 1
caravaggio bonetto
a special edition of the virtual art space
diaboluscybernetic art research project:
the CARP creators
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The word: „Cyberspace“ is known now as an artword, its born from the word „Cyber“ (a shortform from the english word „Cybernetic“ that again comes from the greek word „Kybernetike“; „The art of navigate“ and the word „Space“. On the worldfamous Macy-Conferences in the years 1946 till 1953 Cybernetik was something of high interest. Wellknown and famous scientists as Alan Turing, John von Neumann and Heinz von Foerster started here from scratch the modern computertechnics and the programm-architecture, today the basics for the Cyberspace. The real Cyberspace was opened by Secondlife. So you speak of web 3-D or so called Metaverses. The Metaverses are Internet-based virtual time-space-infrastructures. The miracle that we are experiencing today: the Cyberspace, the dematerialized virtual time-space, the worldwide webbed society. where we „surf around„ with lightspeed. An artist that is NOT using this virtual universe as a challenge and a goal doesnt deserve the name
„Avantgarde“
This e-book dedicated to the pioneer of the Cybernetic Art
Nicolas Schöffer.
He was one of the most important artists of the second half of twentieth century. Father of Cybernetic Art, thus of so-called „interactivity“, he wanted to bring a prospective and non-backward-looking vision of Art, which could help mankind to develop itself with a good hold on true creative and liberating
possibilities of our times.
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content:
1. virtual architecture2. cybernetic art3. virtual theatre4. semantic intuition
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virtual art space
diabolus cybernetic art research project:
the CARP creators.
edited by velazquez bonetto
caravaggiobonetto
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name: Naomi DevilPlace of birth: BudapestYear of birth: 1987Lives and Studies in: A-Vienna, D-Stuttgart, H-BudapestE-mail: naomidevil@naomidevil.com
Studies:
2002,2003,2006: Sommerakademie für Bildende Kunst SalzburgCaroline Broadhead (London)/Andrea Fogli (Rome)/Rivka Rinn (Rome, Berlin)2004-2008: Akademie der bildenden Künste Wien,Kontextuelle Malerei: prof. Muntean/Rosenblum, Elke Kry-stufek, Hans Schreil2006-: Technisches Universität Wien, Architektur
Grants:
2006:Sommerakademie Salzburg Leistungsstipendium2007:Second Life Architecture Award (SL-Award): Best 40
Teaching:
2009: Sommeracademy Villa Floreal, Cadegliano
Works in Museums:
Museum of Young Art ViennaKarton Gallery and Museum Budapest
Art Faires:
1.Art.Fair Cologne 2006 Galerie Exner2.Budapest Fair 2008 KARTON Gallery
Solo exhibitions:
1.Gallery Tetõ: The Digital Oil, 2004,Budapest2.Gallery Mucius, The PINKFERNO, 2005, Budapest3.Gallery Nagyhàzy, Happy Birthday, 2005, Budapest4.Galery Art Position, 2005, Wien5.MOYA (Museum Of Young Art), 4 Einzelaustellungen: Na-
omi Devil,Adam Bota, Jaye, Stylianos schicho 2005-2006, Wien6.Gallery Mucius, DOWNLOAD::MEDIA, 2006, Budapest7.Hungaryan Cultural Center Prague,SACE WARP, 2007, Prague8.Museum Postsparkasse, X-ist resists x-cite, during [chan-ging_strategies] 2008, Wien9.Gallery Artitude, 2008-2009, Budapest
Group exhibitions:
1.The closing exhibition of prof. Caroline Broadhead‘s class, 2002, Salzburg2.The closing exhibition of prof. Rivka Rinn‘s class, 2003, Salzburg3.Gallery Vertigo: The Vertigo Chroniucle, 2003-2004, Canada4.Gallery Vinopolis: Art In MIND Part 4, 2004,London5.Gallery Zsidró: Zsuzsa Gesztelyi Nagy‘s, Márta Kucsora‘s, Naomi Devil‘s and Melitta Németh‘s paintings , 2004, Budapest6.Mucius Gallery Coffee: 9 artists of Gallery Mucius, 2004, Budapest7.Selfportait UK 14-19 2005 Touring exhibition: Sunderland Museum & Winter Gardens, Manchester Art Gallery, Nati-onal Museum & Gallery Cardiff, Peterborough Digital Arts Museum & Gallery, The New Art Gallery Walsall, National Portrait Gallery London, London Underground8.Gallery Mucius, Budapest, 2005 A könyv utóélete9.Art Position 2005, Ottakringer Brauerei, Wien10.II. Keruleti Alkotok Tarlata 2005, Budapest (Exhibition of the artists from the 2. district)11.MOYA (Museum Of Young Art)- New Romantics- from 2005 August- Wien12.IZD Tower Vienna- Devil, Garcia Pozo, 200513.With Adrien Kiss and Istvan Szanto, Akademie der Bil-denden Künste Wien, Projektraum, 2005, Wien14.Mucius & Diabolus Contemporary Fine Art Gallery (Lás-zló Fehér, András Halász, András Koncz, Mucius, Naomi Devil, István Orosz), 2006, Budapest15.Exhibition Room of Ernst Museum Budapest: Dorottya Galeria, Dorottya Open Show, 2006 JUne 6-10., Budapest16.II. Keruleti Alkotok Tarlata 2006, Budapest (Exhibition of
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the artists from the 2. district)17.The closing exhibition of prof. Andrea Fogli‘s class, 2006, Salzburg18.Galerie Exner: Junge Sommer 2006, Wien19.Galerie Exner: POP 07, Wien20.Exhibition of prof. Andrea Fogli‘s class, 2007, Rome21. Embodyment, Klasse Kontextuelle Malerei, Akademie der Bildenden Künste-Aula,2008, Wien22. Diplomaustellung, Akademie der Bildenden Künste, Semperdepot, 2008, Wien
Publications:
1. Gent Sanat 114, Daha 17. , 2004, Istanbul2. Nepszabadsag, 2004 Május 2. , Budapest3. Újbuda: Digitális olaj és poszt-popart, 2004 Május 26. , Budapest4. MTV1 (Hungaryan Television): Galéria, 2004, Budapest5. www.sulinet.hu : Diák Art, 2004, Budapest6. Gent Sanat 117, Tetõ Gallery‘ de „Dijital Yagliboya-lar“,2004, Istanbul7. Gent Sanat 119, Artshole‘ dan yaz sergisi, 2004, Istanbul7. Rapscallion 16, She is 17 and paint like an angel..she is Naomi Devil, 2004, London8. Pro Arts, Close Up Portait:Chronistin der Jugendkultur – Portraitmalerei einer jungen Frau 2005, Wien9. ST/A/R Magazin- Buch 11, 2005 Vienna10. Linguablanca Webmagazine issue #1 (http://linguablanca.sevcom.com)11. Szines Mailap, 2005.11.23, Budapest12. Blikk, January 06, 2006, Budapest13. Blikk, February 06, 2006, Budapest14. Interview with MOYA, January 2006, Wien15. First catalogue of Naomi Devil, 200616. Interview with Extreme-Art (http://www.extreme-art.hu/), June 2006, Budapest17. Interview Foggygrizzly (http://foggygrizzly.blogspot.com/), November,200618. Pinky: Women Artists Calender-April (http://pinky.co.at/kk07.html), 200719. The Great Fashion Illustration Book, by Martin Dawber, 200720. Second Life Architecture Award: Best 40, München
21. Uj Muveszet, Budapest Fair review ,December 2008, Budapest22. Terezvarosi Ujsag,December 2008, Budapest23. BUdapest Sun ,December 2008, Budapest24. Domino TV,December 2008, Budapest25. Klubradio Interview in Mececenas,December 2008, Budapest26. Book illustration, Andras Gregorik: Basic Fault, 2009, Budapest
Kontextuelle Malerei:
Die kontextuelle Malerei begreift sich als Teil der gesell-schaftlichen Wirklichkeit, aus welcher Anregungenund Impulse bezogen werden. Zugleich wird mit der Male-rei versucht, durch kritische Interventionen in den sozialenKontext hineinzuwirken.Ein großer Teil der Werke kreist um Themen, die den politi-schen Diskurs der Gegenwart maßgeblich prägen:Krieg und Frieden, Flucht und Vertreibung, Armut und Reichtum, Arbeitslosigkeit, Globalisierung, Unterschiededer Lebenswelten, urbane Kälte.Die kontextuelle Malerei möchte mit den Mitteln der Kunst das Bewusstsein der Betrachterinnen und Betrachter fürdie spezifischen Probleme der behandelten Themen schär-fen. In diesem Sinne hat Ästhetik immer zugleich auch einepolitische Dimension.
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virtual art space
diabolus the carp creators:
caravaggio bonetto
1. virtualarchitecture
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CARP 6 Living architecture cybernetic performance2008. 08. 26.
Visual artist Caravaggio BonettoAudio artist: Kevinblue Oh
performance time-space contimuum studies for the hsv2 future opera
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art space diabolus
emoticon 1the realtime collaborativeaudiovisual improvisation
Caravaggio BonettoVelazquez Bonetto
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virtual art space
diabolus the carp creators:
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2. cyberneticart
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THE ROOTcybernetic installation concept, & realisation: caravaggio bonettoscripting: Velazquez Bonetto
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THE CATERPILLAR LOVE YOU &THE MUYBRIDGE CLUSTER
cybernetic installations concept, & realisation: caravaggio bonettoscripting: Velazquez Bonetto
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REACTING SCULPTI_LINEcybernetic innstallation concept, & realisation: caravaggio bonettoscripting: Velazquez Bonetto
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PLANETcinetic sculpture concept, & realisation: caravaggio bonetto
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ALGAcybernetic innstallation concept, & realisation: caravaggio bonetto
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The 2. VJAZZ session (diabolus Benvolio VJAZZ DOM)
2008 02. 10. Sunday 1 PM SLT - 2 PM SLT
visual artists: Caravaggio Bonetto, Josina Burgessaudio artist: Kourosh Eusebio
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The 3. VJAZZ session (diabolus Benvolio VJAZZ DOM)
2008 02. 16. Sunday 1 PM SLT - 1:30 PM SLT
visual artists: Josina Burgess Caravaggio Bonetto,
audio artist: Kourosh Eusebio
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The 5 th. VJAZZ session (diabolus Benvolio VJAZZ DOM)
2008 02. 24. Sunday 1 PM SLT - 1:30 PM SLT
visual artists: Josina Burgess Caravaggio Bonetto,
audio artist: Kourosh Eusebio
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The 6 th. VJAZZ & MAJam performance (diabolus Benvolio VJAZZ DOM)
2008 03. 01. Saturday 1:00 PM SLT - 4:00 PM SLT
visual artists: Josina Burgess Calimera Lane Caravaggio Bonetto Velazquez Bonetto
audioartist: juniverse Stockholm
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CARP 4 3. VJAZZ session (Korova club)
2008 04. 26. Saturday 2 PM SLT - 4 PM SLT
visual artists: Caravaggio Bonetto, Velazquez Bonetto
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VISION of GLOBAL JUSTICE GALA Live audiovisual collaborative improvisation (VJAZZ) 2008 03. 19. 5 PM SLT -7 PM SLTvisual artists: Josina Burgess, Caravaggio Bonetto Velazquez Bonettoaudio artist: Juniverse Stockholm
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MEDIAinnstallation concept, & realisation: caravaggio bonetto
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CARP 5 Global Wood performance (diabolus Benvo-lio)
2008 05. 08. Friday 1 PM SLT
visual artist: Caravaggio Bonetto (A)poem: Josina Burgess (NL)audio artists: Juniverse Stockholm (S)scripting: Velazquez Bonetto (D)
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Caravaggio Bonetto The globalwoodthe exhibition....
.....Money, money, money
diabolus art space
visual artist: Caravaggio Bonetto lyrics: josina Burgesssound design: Juniverse Stockholmscripting: Velazquez Bonetto
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„A human being is part of a whole,called by us the „Universe,“
a partlimited in time and space. He experiences himself, his thoughts and fee-lings, as something separated from the rest--a kind of optical delusion of his cons-ciousness. This delusion is a kind of prison for us, restricting us to our personal
desires and to affection for a few persons nearest us. Our task mustbe to free ourselves from this prison by widening our circles of compassion
to embrace all living creatures and the whole of nature in its beauty.“
Albert Einstein
Global Wood. Lyrics by Josina Burgess
There is a wood…a Global wood, where money hangs on treesIt generates a Global wealth for just a few to see
Only a few.. a Happy few.. they closed an evil pactThis small amount of Human Snakes.. that made this self-select
Billions go to Afghanistan and millions to Atjeh The victims of old Pakistan, for the happy few a playA Game to get the money there, for nobody to find
Just in Their pockets it will end ad suffering leaves behind
It’s a global wood Global woodIn - balance is the name
The dance around the money treeFor the happy few their game
And Libra’s arms are not alike, the balance is not rightThe suffering of half the world causes hate and war and fight
But the happy few , the Happy few, don’t care. Don’t feel. Don’t seeThey dance their dance of ignorance .. around the money tree
It’s a global wood Global woodIn – balance is the name
The dance around the money treeFor the happy few their game
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art space diabolus
imaginethe contemporary art galleryof Nora Koltai
István OroszJosina BurgessVelazquez BonettoCaravaggio Bonetto
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3. virtual theatre
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Break those WALLSlyrics by Josina Burgess
They build Walls between countriesThey declare each other BadThey say: There is the enemyBut the Walls are in their head…
There are Generals and there are PresidentsAnd they all speak out to the crowdTo convince just everybodyThat there´s a war that is allowed…
Look in your heart to seeif there is a wall to breakand let your mind be freejust be real not another fake
All these men, great and mightyTell us “others” they are badBut what real is and what is certainAre the Walls right in their heads… It is time to awakenIt is time that it is saidgive us back what you have takenBreak those Walls right in your head…
Break those Walls............Break those Walls............
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Pink Floyd The SL WallMother, should I trust the government?
diabolus art space
Creativ director: Debbie Trilling Producer: Velazquez Bonetto
Choreography and dancing: Caravaggio Bonetto, Debbie Trilling Elfod Nemeth, Klute Coppola
Arena design and build: Velazquez Bonetto Wall design and build: Elfod Nemeth
Puppets: Duggy Bing Special effects: Debbie Trilling and Velazquez Bonetto Costume design: Caravaggio Bonetto, Josina Burgess
Scripting: Debbie Trilling Elfod Nemeth Velazquez Bonetto
Song: Josina Burgess, Juniverse Stockholm
On July 21 1990, nine months after the dismantlement of the Berlin Wall, Roger Waters and an all-star cast perfor-med „The Wall“ at Potzdamer Platz in Berlin. The perfor-mance was watched by a live audience of 250,000 and half-billion people on TV.
And now, the Cybernetic Art Research Project (CARP) bring „The Wall“ to SL...
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The making of the WALLKostume Design: Caravaggio Bonetto, Josina Bur-gess. Elfod Nemeth
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diabolus art space
2008.04.27.
the wall
exhibition
Creativ director: Debbie Trilling Producer: Velazquez Bonetto
Choreography and dancing: Caravaggio Bonetto, Debbie Trilling Elfod Nemeth, Klute Coppola
Arena design and build: Velazquez Bonetto Wall design and build: Elfod Nemeth
Puppets: Duggy Bing Special effects: Debbie Trilling and Velazquez Bonetto
Costume design: Caravaggio Bonetto, Josina Burgess,Scripting: Debbie Trilling
Elfod Nemeth Velazquez BonettoSong: Josina Burgess, Juniverse Stockholm
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Scene designThe global Wood
The Global Wood. Lyrics by Josina Burgess
There is a wood…a Global wood, where money hangs on treesIt generates a Global wealth for just a few to see
Only a few.. a Happy few.. they closed an evil pactThis small amount of Human Snakes.. that made this self-select
Billions go to Afghanistan and millions to Atjeh The victims of old Pakistan, for the happy few a playA Game to get the money there, for nobody to find
Just in Their pockets it will end ad suffering leaves behind
It’s a global wood Global woodIn - balance is the name
The dance around the money treeFor the happy few their game
And Libra’s arms are not alike, the balance is not rightThe suffering of half the world causes hate and war and fight
But the happy few , the Happy few, don’t care. Don’t feel. Don’t seeThey dance their dance of ignorance .. around the money tree
It’s a global wood Global woodIn – balance is the name
The dance around the money treeFor the happy few their game
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Lyrics Medora ChevalierMusic: Junivers Stockholm,
On the rock the child ‚s aloneHe looks at sand and sky and stone
The heat burns deep through skin to boneNo sound of life around him.
A far bird sings her gentle songThe boy turns round and gazes long
The forest stands there - dark and strongIts deep song calls out to him.
His bare feet feel the calling pathHis toes the dampness of the earth
A place where small things move and birthThe forest living draws him.
Deeper, darker, richer, coolA bubbling green life giving pool
Deeper, darker, richer, coolHe fills his body, floating, stillDeeper, darker, richer, cool
Soaks in the force around him.
Now he hears the life‘s forces soarBirds and insects, forest floorInvade his being, living loving
He is not he but all.
Scene designThe Forest
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art space diabolus
the making of METROPOLIS
Producer/ creative director: Velazquez Bonetto (D)
Soundtrack creator: nnoiz Papp (D)
Costumes and character design: Josina Burgess (NL)
Robot design & animation: Sca Shilowa (NL)
Set design & build: Velazquez Bonetto (D), windyy Lane (USA),
Caravaggio Bonetto (A), nnoiz Papp (D)
AV-animations: windyy Lane (USA)Muybridge animations:
Josina Burgess (NL), Velazquez Bonetto (D)
Video recording/editing: Debbie Trilling (UK)Venue camera: Velazquez Bonetto. (D)
Additional song: Junivers Stockholm (S)
Performers:Debbie Trilling (UK)Josina Burgess (NL)
MillaMilla Noel (I)Efrantirise Morane (I)
Velazquez Bonetto (D)
the making of Metropolis 1926
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diabolus art space
4. semanticintuition
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Lamb-ScorpioSL sculpture based on semantic intuitionconcept, & realisation: caravaggio bonetto
Semantic Intuition (inverse thinking)
Method:The method overturns the : “Discover a invention” and “Give this invention an name” Accidental names are build by using the method of calling up intuitive meanings (=semantic intuition) and it is to find out how and how far they will be a useful innovation.
In most people use names and concepts already known and list them. These words now will be combined with a goal to create new imaginations for ideas.
The Semantic Intuition method is as old as abstract thinking is. Abstraction is an operated thinking, deviated from concrete objects in reality and build from that into a new concept.So certain aspects of real objects have to be rejected to let the abstract mark be useful on more and other objects.This thinking process with abstract concepts make it possible that in the material reality not existing combinati-ons can be showed or created.All historical Mythology are such free fantasy products based on semantic intuition (such as: Anubis (Egypt my-thology) shown as a human with a dog or jackal head
Some of these semantic intuition products could become new meaning. But this new meaning has at most nothing incoming with the earlier meaning or concern.The fresco cycle of Ambrogio Lorenzetti about the good and the bad government (Sienna Palazzo Communale Sala della Pace 1337-39) shows a painting of Proditio (Verrat) (Lamb-Scorpio) Proditio is dressed as a good city resident and wears the normal textile coat and hat. All is weaved out of the finest material. On his lap he holds a lamb – but don’t be mislead , because where normally is the back of the lamb curls the poisonous tail of a scorpio.The virtual sculpture of Carvaggio Bonetto combines the same Semantic Intuition product in association with the mass-media of today.
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192 CARP creators Caravaggio Bonettodiabolus artspace