Post on 01-Jun-2018
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PRINT MAKING
INTHE
PHILIPPINES
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Early Filipinos, like those in the
West use their oupation astheir last na!es" I# the #ather is
a $laks!ith, he %ill pro$a$ly
use panday; a arpenter a&opt
anluwage, an& so on"
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TOMAS PINPIN The 'rst Filipino priter(s oupation is
plain) an& arran)in) the %oo&en $lok
tiles #or printin) in a #ra!e that is %hy he
is alle& To!as na *Ta)a+Pinpin in a
ta)alo) or in short To!as Pinpin" He(s
o!panion o!in)o Loa) is *Ta)a+Lu%a)-
or the one %ho &issasse!$les the #ra!e toallo% the arran)er to asse!$le ne%set o#
the te.t #or printin)"
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A#ter /012, less
3hinese %ere hire&&o the printin) #or
the Spaniar&s, an&
they )a4e the 5o$ t
an In&io, To!as
Pinpin, %ho printe&
/6 $ooks an&
authore& a $ook, *
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The earliest atte!pt o# te
Filipinos in print!akin) oul& $e
)leane& #ro! the #ra)!ent o#
historial &ou!ent unearthe&
in the ri4er $anks o# Lu!$an inLa)una" This &ou!ent is
uni9ue #or unlike the other
&ou!ents o# the ti!e, it %as
are#ully ethe& in a thin sheet
o# opper usin) a pointe& stylus
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To ai& th sprea& o# the Ro!an 3atholi
#aith, the spaniar&s use& printin) to !ake
opies o# $ooks, no4enas, ser!ons an&
&e4otional pa!phlets"
/:;
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Another print maker of note:
Nicolas Cruz Bagay- who was engraver, and amagnficent artists for his drawings which heengraved.
Carta hydrografica y choragraphica de las
Yslas Filipinas- notable engravings of NicolasCruz Bagay map of the hilippines.
!e did "# artistic prints in his lifetime and he
was proud of the $uality of his wor% so heinsisted in sighning his name on each print hemade.
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Manuel Ro&ri)ue= Sr"
Father o# print!akin) in the
philippines #or he thou)ht print!akin)
in his ho!e an& enoura)e !any o#
the present print !akers to pursue
the !e&ui!"Many painters !a&e
prints like 8oton) Franiso, Ro!eo
Ta$uena,>iente Manansala, Fernan&o
?o$el, Anita Ma)saysay Ho, Arthuro
Lu=, @ose @oya an& Ro!olo la=o"
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ther artist onentratein print!akin)B Ro& Paras Pere=
Pan&y A4ia&o
8ren&a Fa5ar&o
#elia Gel4e=onte9ui
8en3a$
Fil ela 3ru=
Santo 8ose
Neil olorion
@onathan la=o
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Printmaking Is an art o# trans#errin) printe& i!a)es
#ro! a sur#ae" A print is a han&
pro&ue& piture that has $een
tran#erre& #ro! a printin) sur#ae to a
paper"
It eno!passes repro&utions or
!ultiplies !a&e &iretly #ro! the sa!e
$lok, plate stone, or sreen reate& $y
the artist"
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Edition- nu!$er o# prints areli!ite& $y the artist suh as/11C/111 %hih !eans the opy is
/11th in an e&ition o# /111" one thelast print o# the e&ition is o!plete,the printin) sur#ae is &estroye&"
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Three $roa& ate)ories o#
print!akin) aor&in) tosur#aeD
Relie# printin)- uses woodcut,wood
engraving, ruer stamps, and !ino!eum cut"
Inta)lio- inc!udes etching, a#uatint and dr$
point"
Plano)raphi proess- that inc!udes
!ithograph$, si!k screen %serigraph$& and
other forms of stenci!ing"
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ther type o# print !akin)outsi&e these three areasD
3ollo)raphy- print making techni#ue in
which te'tured materias! is adhered to a
printing matri'which is tranferred on the
paper during the prining process"
Vircocity printing and onte!porary
print!akin) that inc!udes digita!
printing,photograhic mediums or a
comination of other printaking tecni#ues"
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Woo& ut- is the on!$
traditiona! printing techni#ue
used in Asia for centuries" This techni#ue was used $
the *uropeans too"
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Woo& en)ra4in) tehni9ue
Simi!ar to wood !ock printing, however, it
uses the endgrain on !ocks of the hard
wood" The endgrain is ver$ hard so the
meta! too! designed for carving is needed to
make ver$ +ne and intricate detai!s"
n!ike the wood !ock it can produced man$prints efore it deteriorates that makes it
idea! techni#ue for ook i!!ustrations.
I t li
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Inta)lioIn the intag!io printing what is removed
in the p!ate ends up to e printed"
The !ines are cut in the surface of a meta!
p!ate using a sharp too! ca!!ed burin orusing acids"
If $ou see a wedding invitation with
raised te'ts, it proa!$ underwent th
intag!io process ecause it happened
when the pressure was e'erted to a!!ow
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Ethin) The artist removes the surface of
the p!ate $ e'posing it to an
acid ath" A wa' coating, orground that resist acid, is app!ied
+rst on the surface of the meta!"
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En)ra4in) It was introduced $ the spaniards in the
Phi!ippines"
In ./00, Nicho!as 1aga$, a printing press
owner , and 2rancisco Suare3 designed aseries of .4 artworks were the$ proud!$
sighned with Indio Tagalo.
O!dest form of intag!io" 1urins or an$ sharp
instruments that cou!d !eave depression or
marks onn the meta! can e sed to make a
meta! p!ate to reproduce prints.
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A9uatints &re tonal areas made by applying powdered
resin to a plate then heated. 'he melted resinproduces particles that become dots. (acd dot
resist acid. )i%e in the etching the longer themetal plate is e*posed in the acid bath, thedar%er is the tone is the final print.
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ry point In this techni#ue, surface of
meta! p!ate is scratched with a
need!e" n!ike the !in engraving
which gives a c!ean, sharp !ine
the dr$ point !eaves a ridgeca!!ed a burr on either side of
the groove resu!ting to a
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