101 Corridor 09

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101 corridor architectural materials

Transcript of 101 Corridor 09

CORRIDOR TRANSFORMATION

Andy Goldsworthy, Storm King Stone Wall

"… the sensation of being surrounded is primary and universal: the maternal womb, the room, the house, the canyon of the street, the final enclosure of the horizon and the hemisphere of the sky – they all belong to us. The primary awareness of being

inside is directly reflected in the house as a surrounding shelter… and is supplemented secondarily by the experience of being outside to other things."

Rudolph Arnheim, The Split and the Structure

STACKING BUNDLING DENSITY

Kruunun Van der Erve Architecten

Laminata, House of Glass

Atelier Kempe Thill Light Buildingtranslucent plastic crates

STACKING BUNDLING TRANSLUCENCY

OPENESS

DENSITY Student work, IIT2005 & 2006

Robert Irwin, Portal Park Slice

PLANEAPPERTURESPATIAL DEFINITIONWITHLIGHT AND SHADOW

Robert Irwin, Portal Park Slice

PLANEAPPERTURESPATIAL DEFINITIONWITHLIGHT AND SHADOW

HUAMN SCALE VANTAGE POINT

Michael Warren, with Scott Tallon Walker ArchitectsTulach A’Tsolais, “Mound of Light,” Oulart Hill, IRE

PLANESLICESPATIAL DEFINITIONWITHLIGHT AND SHADOW

Yoshijima House, Architect UnknownOVERLAP LAYER TRANSPARENCY

Andrea Zittel,A-Z Management & Maintenance Unit

Yoshijima House, Architect Unknown

Robert Rauschenberg, Minutiae

MODULAR PROPORTIONAL LAYERS

Donald JuddMarfa, Texas

Donald Judd, Untitled, 1968

REPETITIONRHYTHM

Christo and Jeanne-Claude, The Gates

SCALE COLOR MOVEMENT

Fushimi Inari Shrine, KyotoTunnels of the “thousand torii” (torii: traditional Japanese gate)

COLOR REPETITION DATUM

MATERIAL POROSITYFlexicomb: Flexible Polypropylene Honeycomb

Metal Frame with Translucent Polycarbonate SkinLounges of Red Polyester

SAAS Architects, Loungin’, Mobile Exhibition Space

SPATIAL POROSITY

Ronan + Erwan BouroullecClouds

Andrea ZittelA-Z Compartment Units

PerforatedStephen Holl Architects, BL Special Laminated PanelsWood veneer, Paper and fabric: cut with laser, water jet and CNC

ENCLOSURE POROSITY

Toyo ItoSerpentine PavilionLondon

Jeannie Thib, Blind

Ronan + Erwan Bouroullec, Ideal Houses

STRUCTURAL FABRIC HANGING FABRIC

STRUCTURAL FOLDING Franz Zeier, Paper Constructions

Charles Ginnever, Prospect Mountain

Coggan + Crawford, Becoming Wall Becoming Bench

BENDING TWISTING PULLING

John Chamberlain, The Privet

Richard+Bauer, Desert Broom Library, Phoenix AZ

Richard Serra, Torqued Ellipses, Cor-ten steel

BENDING TWISTING PULLING

Roto Architects, Texas A&M, Art & Architecture Building

Moshe Safdie, Yad Vashem Holocaust Museum, Israel

BENDING TWISTING PULLING

ORGANIC (biomorphic) ASSEMBLYExhibition at SCI_Arc, 2007Andy Ku, Marcos Sanchez & Jenny Wu

ORGANIC ASSEMBLY

Massimilano Fuksas,Milan Fiera, New Trade Fair, 2005

VANTAGE POINT

Massimilano Fuksas,Milan Fiera

TRANSPARENCY OPACITYORGANIC ASSEMBLY

Massimilano Fuksas,Milan Fiera, New Trade Fair, 2005

VANTAGE POINT

Monika Sosnowska 1:1 2007 Steel installation The Schaulager, Basel

ASSEMBLY (out of) SCALE RESPONSE TO SITE

ASSEMBLY (out of) SCALE RESPONSE TO SITEMonika Sosnowska 1:1 2007 Steel installation The Schaulager, Basel

SCALE

Monika Sosnowska Untitled, 2003

SCALE “TOUCH THE GROUND”

Monika SosnowskaHandrail 2008

SCALE GEOMETRYHerzog & De Meuron, 2002 / 2003Schaulager Museum, Basel Switzerland

Casting

Rachel Whiteread, LibraryPlaster casts of shelves

Rachel Whiteread, Embankment14,000 plaster and polyethelenecasts of old boxesTurbine Hall of the Tate Modern

SURFACERELIEFSCALE

Thomas Heatherwick,Rolling Bridge acrossPaddington BasinADAPTABLE SYSTEM

ORGANIC FORMNucleo Design, Terra: Grass Armchair

Rough-hewn stair in Canyon, CA

Wharton Esherick, House and Studio Museum, Oak Stair

RELATION TO CONTEXT

Gordon Matta-Clark, Bingo, Niagara Falls

Building Fragments Installed at the Museum for Art and Cultural History, Germany

FABRICMATERIAL TRANSFORMATIONEl Anatsui (Ghana)“Duvor,” 2007: Aluminum liquor bottle tabs, wire

FABRICMATERIAL TRANSFORMATION

Lee Bontecou“Untitled” 1959Canvas, leather, wire

Lee Bontecou“Untitled” 1961Canvas, wire, black fabric, expoxy

ASSEMBLY MATERIAL TRANSFORMATION

Sam Mockbee, Rural StudioLiving Pods: License Plates

Masons Bend Community Center: Windshields

Sam Mockbee, Rural Studio

Living Pods: Cardboard Bales

ASSEMBLY

MATERIALTRANSFORMATIONNewbern Baseball Field:

Chain-link fence

Student work, IIT2005 & 2006

ASSEMBLYMATERIAL TRANSFORMATION

“All architecture functions as a

potential stimulus for movement, real

or imagined.

A building is an incitement to

action, a stage for movement and

interaction.

It is one partner in a dialogue

with the body.”

Robert J. Yudell, “Body Movement”, from Body, Memory

and Architecture

Andy GoldsworthyJapanese Maple Leaves

1987

SCALETEMPORAL ASSEMBLY MATERIAL TRANSFORMATION

TEMPORAL ASSEMBLY MATERIAL TRANSFORMATION SCALE

Andy GoldsworthyLeaves

date unknown