Iohn Patitucci- 60 Melod.ic Etudes

for Acoustic and Electruc Bass

I would" like to thank God, my wife Sachi, and my daughters-Gracieand Bella, and all the other members of my Farnily especially mybrother Thomas, my Mom and Dad, and sisters. Thanks are alsodue to Chris Poehler, David Baker and all of the other teachers Ihave had in my musical journey to this point (whose names couldtake up as many pages as this book). Thanks also to the manymusiciàns I have *àrÈed with who have inspired me and taught me(another very long list) and to Sandy Feldstein and John Castellanofor urging me to write this book.

Special Thanks to Mindy Sax, for the preliminary music copying.

Finally, thanks also to all the folks at Carl Fischer for the fine workand support, especially Alex Teploff.

Cover photo by Bill Bytsura.

CARL FISCHERo65 Bleecker Street, New York, NY 10012

Copyright O 2005 by Carl Fischer, LLCI ntern ational Copy rig ht Secu red.

All rights reserved including performing rights.WARNINGI Th s pLrb ication is protected by Copyr ght lalv. To photocopy or reproduce byany method is an infr ngement of the Copyrìght law Anyone who reproduces copyrighted

matter is subject 1o substantial penaÌt es and assessments for each rnfringement.Printed n the U.S. A.BF22

John PatitucciForeword.......... 5

Gb Lydian Scaie (Gbr;'aj7fil1) . .. .... ......................37

B Lydian Scale (Bmaj7fr11)............. ........38

E Lydian Scale (Emaj7ll 1).... . ... .. ........39

A Lydian Scale (Amaj7l11)....... ...... . ...."40

D Lydian Scale (Dnaj7f"11) .....................41

G Lydian Scale (Gna17#11) .... ........ ......42

C Mixolydian Scale (C7)........... ..... ..."....43

F Mixolydian Scale (ts7)........... ...............14

Bb Mixolydian Scale (Bb7)......... .............45

Eb Mixolydian Scale (Eb7)......... .........."..46

Ab Mixolydian Scale (Ab7)......... .............47

Db Mixolydian Scale (Db7) . .................48

Gb Mixolvdian Scale (Gb7) .....................49

B Mixolydian Scale (87) ..............50

E Mixolydian Scale (E7) ...............51

A Mixolydian Scale (AZ)....".. ... ..............52

D Mixolydian Scale (DZ) .... ..............53

G Mixolvdian Scale (cZ) ..............54

C Locrian Scale (Cm7b5) .....55

Ab Velodic-minor Scale (Frrn7b5) .........56

ob tr,lelodic-minor Scale (ebmZbS) .""...57^l .. r .-iGb Melodrc-mlnor Scalc (EbrnTbS)..........................58

G# Locrian Scale (GfmZbs) ....................59

C# Locrian Scale (CfmZbS).. ...................60

Ff Locrian Scale (F#nr7h5) ............."..."....61

B Locrian Scale (Bm7b5) .....62

G Melodic-minor Scale (Em7b5) ..........63

C Melodic-minor Scale (Am7b5) ..........64

F Melodic-minor Scale (Dm7bS) ..........65

G Locrian Scale (Gm7b5) .. .. ......66

Gb Lydian Scale (GbmajT'il1) . . .........................37

B Lydian Scale (Bmaj7fr11)........... .......38

E Lydian Scale (Ernaj7ll 1). .... . .... ........39

A Lydian Scale (Amaj7frl1). . ........ ......40

D Lydian Scale (Dnaj7i11) .......... ......41

G Lydian Scale (Gmaj7* 11)... . .. ......42

C Mixolydian Scale (C7).. . . ... ..."....43

FMixolydianScale(F7). .... ...............44

Bb Mixolydian Scale (Bb7)......... .............45

Eb Mixolydian Scale (Eb7)......... .."..........46

Ab Mixolydian Scale (Ab7)......... ...".........47

Db Mixolydian Scale (Db7) .. .. ..............48

Gb Mixolydian Scale (Gb7) .....................49

B Mixolydian Scale (87) ..............50

E lv{ixolydian Scale (E7) .......... ... ...".......51

A Mixolydian Scale (A7)........... ..............52

D Mixoll,dian Scale (D7).......... ..............53

G lr,{ixolvdian Scale (G7).... . .. ..............54

C Locrian Scale (Crn7b5) .....55

Ab Melodic-minor ScaÌ,,. (Ih7l'.5) .........56pb tr,lelodic-minor Scale (Bbmzbs) ......57-l

I r 1 r' t ,r,Gb Melodrc-mlnor Scale (Ebn7b5).. .....58

Gf, Locrian Scale (Gtrn7b5) ....................59

Cf Locrian Scale (CfmZbS).. ...................60

Ff Locrian Scale (Ffm7b5) ......................61

B Locrian Scale (Bn7bS) .....62

G Meiodic-minor Scale (Em7b5) ..........63

C Melodic-minor Scaie (Am7b5) ..........64

F Melodic-rninor Scale (Dm7b5) ..........65

G Locrian Scale (Gm7b5) .......................66

PartII: 60 Melod.ic ScalesGb Lydian Scale (GbmajT il 1,1 ) ................................... 9 9

B Lydian Scale (BmajTf 11)......... . . .....................100

E Lydian Scale (Umaj7#LL)..... . . . .......................101

A Lydian Scale (Ar.rraj7#11) ............. .,..102D Lydian Scale (Drr'aj7|"l1)............. ....103

G Lydian Scale (Gn.aj7|"l1)............. ....10-+

C Mixolydian Scale (C7)........... ............105

F Mixolydian Scale (F7)........... ...."........106

eb Uixolydian Scale (Bb7)......... ...........107

nb Vtixolydian Scale (Eb7)......... ...........108

eb Vixolydian Scale (Ab7)......... ...........109

Db Mixolydian Scale (Db7) ..................110

Cb Uixolydian Scale (Gb7) ...................111

B Mixolydian Scale (87).. ....... ............I12E Mixolydian Scale (87)........... .............113

A Mixolydian Scale (A7).......... .............1i-+

D Mixolydian Scale (D7).......... ............115

G Mixolydian Scale (G7) .......... ............116

C Locrian Scaie (Cm7bS) ...117

eb Uelodic-minor Scale (Fm7b5) .......118

Db trrtelodic-minor Scaie (VbmZbS) ....1DCb tvtelodic-minor Scale (Ebn^TbS) ....120G# Locrian Scale (C#mzbs). .................i21C# Locrian Scale (C#mZbS) ..................122

Ff Locrian Scale (ffmZbS) ...................123

B Locrian Scaie (Bm7bs) ...721G Melodic-minor Scale (Em7b5\... .....125

C Melodic-minor Scale (Am7b5)... .....126F Melodic-minor Scale (OmZbS).. ......127

G Locrian Scale (Gm7b5) .....................128

John Patitucci BiographyJohn Patitucci has been at the forefront of the jazz world for the last tu,entyyears and active in all sryles of rnusic. He is a two-time Grammy award r,vinnerand has been nominated eleven times. He has won many rnagazine poils andawards as a double bassist and bass guitarisr, most recently as a member ofthe lVayne Shorter Quartet which won the 2003 Downbeat critics'poll for BestAcoustic Jazz Group and Best Jazz Recoding for Footprints - Liue!. He hasperformed andf or recorded wtrh jazz giants such as Dizzy Giliespie, WayneShorter, Herbie Hancock, Chick Corea, Stan Getz, Freddie Hubbard, RoyHaynes, Wynton Marsalis, Michael Brecker, John Scofield, Joe Lovano, KennyGarrett, Victor Feldman and countless others.

John has been active as a composer u,rth eleven solo recordings of his own. Hehas also been commissioned to write for various chambe r music groups, mostrecently the New York-based string quartet Elements. John r.l,as nominated fora Grammy rn 2003 for Best Instrumental Arrangement Accompanying a Vocalfor his arrangement of In the Bleak Midwinter From l-ris CD Song Stories andSpiritwals. He was nominated for a Grammy rn 2002 for Best InstrurnentalComposition for a piece encitled Communion that featured Branford Marsalis,Brad Mehldau and violist Lawrence Dutcon of the Emerson String Quartet.

Mr. Patitucci has been involved in education for many years, writing books,making instruccional videos and giving master classes around the world. Hewas formerly the Artistic Director of The Bass Collective, a specialized schoolin New York. In 2002, he began teaching at The City College of New York(CUNY) and was named Associate Professor of Music there in2003.

ForewordThis book is designed for acoustic bassists, electric bassists and cellists whowant to:

. Improve their knowledge of the fingerboard.

. Practice interpreting and phrasing melodies.

. Improve their intonation and time.

. Learn to play with more flexible time by practicing rwbato passages.

. Strengthen their ears to hear the five basic chord sounds within the diatonicmajor scale: major, minor 7, dominant 7, minor 7b5 andrnajor 7#1I.

. Learn to hear and use various diatonic modes and scales against these fivebasic chords: Major, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, andLocrian.

. Gain valuable experience on the use of the melodic-minor scale over theminor-seventh b5 chord.

As far as I know, this is the first book to have a separate melodic etude for eachof these five chord sounds in all twelue key. I also left room on a few occasionsfor you to try your hand at improvising for a few measures within an etude. Theetudes have tempo markings, but should be practiced at different tempos andeven rubato (í.e., elastic and flexible time with room for speeding up andslowing down to enhance the freedom of the artist's expression). These etudesalso help the bassist and cellist tackle the common technical problems that allmust deal with, such as shifting on one string, string crossing and alternatingright-hand plucking and bowing. For acoustic bassists and cellists, every etudecan be played pizzícato andf or arco. I deliberately shied away from providingfingerings and bowings because I would rather you explore many alternativesfor each passage.

In Part II of the book (pp. 69-L28), I have included a complete fingering chartfor both acoustic and electric bass for all the scales. The scale examples are

given in two ways: 1) Starting on the root note and 2) starting on the lowestnote available on the fingerboard. The second example is provided to foster amore comprehensive knowledge of the instrument.

If you have a teacher*which I feel is extremely important-s/he may want towrite down ideas for you as well. Also, as you vary the tempo of each etude, youmay have to alter fingerings and bowings.

In closing, I sincerely hope and believe that this book will help you grow as amusician and be a useful tool for manv vears to come.

-John Patitucci

Pa:tt I:60 Melod"ic Etud-es

C Major Scale

F Major Scale

Bb M ajor Scale

-:- J LJI J -J- JL-J -J J

| -l-l _; LJ

10

Eb vtajor Scale

):132

BF22

11

Ab Major Scale

T2

Db Major Scale

'3'

D.C. al Fine

r3

Gb M ajor Scale

Lento rubato ):54

To Coda-rS

D.C. al Coda

$ cooaA

L4

B Major Scale

D.C. al Fine

l5

E Major Scale

Rubato

To Coda I

opt. D.C. al Coda $ coou

t6

A Major Scale

,:88

D.C. al Fine

1'7tt

.: 66r--J ----r

D Major Scale

r-_J -----r r-J _____--r

To Coda$t-- J ------t

18

G Major Scale

rl-

poco rit.

19

C Aeolian Scale (Ballad)(Cm7)

To Coda$

20

F Dorian Scale(Fm7)

(Ballad)

D.C al Fine

2I

Db Aeolian Scale

optional repeat at m. l3

22

Eb Dorian Scalepbr.r.T)

):162

L-')

G# Ph rygian Scale(Gf m7)

J:86

3422

D.C. al Fine

1A

Cf Phrygian Scale(C#rn7)

To Coda $ l_J ____r

t:70

'--J_: tr r_J _-__r I r-l ---r

r-J ----r r- J -]r __ì.-_

T-J-------] | J I

r_J ____r r-J ____r

D.C. al Coda $ coou r-J --r

2-5

Ff Ph rygían Scale(F#mZ)

r-J -r r-J -r

r-J --r r-J --r

I r ll

26

B Phrygian Scale(Bm7)

,:118

r-JJJ D.C. al Coda $ coou

J:130

21

E Dorian Scale(Ern7)

To Coda$

D.C. al Coda

t8

A Aeolian Scale(Am7)

J:80

To Coda$

D.C. al Coda

29

D Dorian Scale(DmZ)

J:101

30

G PhrygLan ScaleE\(bm/)

):128

To Coda$

D.C. al Coda $ coou

3l

C Lvdian Scale(Cr.'r'aj7f"II)

To Coda$

D.C. al Coda

45 S."9"

JZ

F Lvdian Scale(rmaj7# 11)

To Coda $

D.S. al Coda $ coou

33

Bb Lydian Scale(Bbnajz#Ir)

):132

To Coda$-

D.C. al Coda $ cooa

1, /1

Eb Lydian Scale(Ybmajz#rr)

j:89

35

Ab Lydian Scale(Abmaj7#rI)

): ll2

D.C. al Fine(no repeats)

36

Db Lvdian Scale,/(Dbmajz#11)

,:130

To Coda

J8 D.C. al Coda $' cooa

37

Gb Lvdian Scale,/(Gbmaj7l"IL)

Rubato

r-- J --r

D.C. al Fine

3B

B Lydian Scale(Bmaj7# 11)

t:124

)7

J-t

D.C. al Fine

39

E Lydian Scale(Emaj7ilrr)

J:89

To Coda$

D.C. al Coda $ cooa

-10

A Lvdian Scale(ArnajzilII)

^ /-\ /,_- /--G€>+

Amaj7fi1l (Improvise on A Lydian)

r-3 ___- r-J ----r-1----r r-J -r

AmajTfrWlmprovise on A Lydian),--.-----^,---.,.......-*- /-----

41

D Lvdian Scale/(Drnaj7#II)

,: 115

To Coda$^-o-*

D.C. al Coda

ltoco ritcrtdartclo .-

A)

J :100

G Lydian Scale(Grnaj7|"LI)

[ ---- + ll f-

-=.---- -----/

D.S. al Fine

----/-

43

C Mixolydian Scale(c7)

i:162-200

To Coda$

D.C. al Coda $ coau

44

F Mixolvd.ian Scale/(F7)

):142

-=_----' ---=----' ---=---/

45

Bb Mixolvdian ScaleJpbzl

): l4l-170

46

Eb Mixolydian ScaleSlowly J :81 (Eb7)

r-3-r r_3r r--l-r rJr

47

Ab Mixolydian Scale(^b7)

Medium .: 116

48

Db Mixolvdian Scale1obz1

Slowly and freely i:96

To Coda

D.C. al Coda $ coau

49

Gb Mixolydian Scale(cbz)

,:156

50

B Mixolyd"ian Scale(87)

Slowly ): 67rJ-

opt. D.C. al Fine

5l

E Mixolydian Scale(E7)

To Coda$

Second timeD.C. al Coda

G+--'---

$ coou

52

A Mixolvd.ian Scale,/

( A7\

,: 150

D.C. al Fine

53

D Mixolydian Scale(D7)

J1

G Mixolydian Scale(G7)

):770-200

55

C Locrian Scale/^ -l rr(Lm/pJ)

optional D.C. al Fine

3molto rubato

-5 (,

Ab Melodic-minor Scale/n al rr(f m/rJ/

D.C. al Fine

57

Db Melodic-minor Scale(Bbm7bS)

-58

Gb Melodic-minor Scale(Ebrn7bs)

):93

r-J r-3 D.C. al Fine

s9

G# Locrian Scale(c#m7bs)

l: 64

D.C. al Fine

60

C# Locrian Scale(C#m7bs)

): 67

D.C. al Fine(optional repeat at m. l7)

61

F# Locrian Scale(Ff rnzbs)

):112

sub. pD.S. al Fine

(no repeats on D.S.

62

B Locrian Scale(Bm7bs)

.:140 X

To Coda $

D.S. al Coda

63

G Melodic-minor Scale/r al rt(|,m / 2J,l

poco accel

/-\ /-\'€>

r\-/lenÍo

): ll4

Second timeo

D.C. al Coda

64

C Melodic-minor Scale(Am7bs)

):136

To Cod*O

,, + Coda

65

F Melodic-minor Scale(Dm7bs)

66

G Locrian Scale

) :66

r-J ---Gmlb5 ftmprovise on G Locrian)

3

Rtrbato ctd libitunt

68

Pa:rt II:60 Melodic Scales

69

C Major Scale

11

T*l3r;.ia l,trl,ll

1+74t4 )t

24 41174C 240

2

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71

Bb Major Scale

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Eb Major Scale

Ecousiic Ba;al

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III III

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TV I ilI.I II I II I IIII IV I

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Ab Major Scale

2

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IV lll I II---r I II I IIII

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IV 'III I II---J IIJ III I IV I

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Db Major Scale

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IIIII I I

[I I III_J

"r3r.t '^: *711 tlTcoustic Bast

1z4lzqtz '$*r 1

TI IIII fIV IIV_____J III I Il I I____

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IV-r III r ll--__r I---------

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75

Gb Major Scale

Eaoustic Bassl

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76

B Major Scale

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7',|

Ecoustic Ba$l

or40r-L

E Major Scale

,'tl4l'-.

î I t'\!rltlrlT

JTt3i 1a4) L!, , o L , + r-o 4 r o

IV--J III I II ' ] il 'III 'IV I

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IV------JIII Iil ' I II |III |IV____J

78

lAcoustic Bass I

^ r 4 O

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t'î t 3

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l\-1 | III ' II --J

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tr!, 1 4 2 21 4241o

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79

D Major Scale

22

22

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G Major Scale

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or )41 , 2 ^ LSLL|

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=î22

81

C Aeolian Scale (Ballad)(Cm7)

a

-ttllL

II

-J

III

I |III rIV r

82

F Dorian Scale (Ballad)(Fm7)

II I IIIJ IV I

I IIII IIV '

83

Db Aeolian Scale

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BbmT)

tTl3

(

21Ecousric Ba$l

t)41^

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IV IIII III I

IV I III

84

Eb Dorian Scale(Ebm7)

trcoustitFass-l1)41

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tTcoustic Ba$lA,o14l

(cfim7)

r 4l" dl31a ilZe ttt 4t1,+r

2;lLl r 4 2l_4 t O 4

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G# Ph rygian Scale

IVilI I II I I

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86

C# Phrygian Scale(Cfrrn7ìr

EcousticJ-Basil , a

^ " t ^ t ) L:

IIIIIIII UIIIII

fÀcoustF Mssl,n74

II IIII 'IV-[V IIII III I I

[I 'III IIV I

81

F# Ph tygLan Scale(Ff,m7)

f1t:-ZA.r-..rltalÀ.?+?:1^4)144r

oiLij4r

291

t4AZ

1t!1 o +24or+otq

IVJ III I II I II IilI IIVI

22'.ííLí.i, 4

EGmcEaTs.lr241,2413 4 1 i tl'lti 421

II IIII I IVIIV rilI- | II | ì

3T'.,

i4rlrlrl 3rîiEcoust]iBasl

o24oljr'l1+

t1)4

4tl4 lr+l

/1

240 o41o4 1-o+zo

II IIII IIV IJV------J III I III I I

22,.iLl: t ? ,fEGctric Bassl

ot z4 341 3 4 ,iiiii L? t- o . | 4 3l-4 2 1 o

II IIII IIV I[V IIII ìII II

88

B PhrygLan Scale(Bn;'7)

.? ,ì, | 4; Í l'' II i :;;ttr

1îiit4 | o 4 2

III.J II I I

4 13 1Liii iL:L!,

III'III

t)

11r3li3i3

I

3rîir)l+

4I14 iT

lil t ^ 1 o 4 2 o + z o+olo2+o2 4O

lvrlllrllrl II rlll rlv I

,ill L:1 ,EiéAiiciafslor 24

2^3 4,1:Lit

IVIIIIIIIII JIrlllrIVr

89

E Dorian Scale(Em7)

EGcÍic Ba$l

or )41

IIIilIIIVIIVIIIIIIII

90

FaousticJasslnr 4O"?arrìl

A Aeolian Scale(Am7)

4 I IZLLLL LLLLLz', 4 r ^ 2Ol ); r () I

III I II_ I I II IIII I

431,l'-t' + 2

EAEFBasslr 141lt-ìlt4_

L-+ 2 lt31t,:

-- l J 3 I

II-J III I IV Jlv rIII- | II_J

)tl?.-lL-rl

llt"

Ecoustiè Bassl

ot 402: iLr! t o + zo-0,2 o 4 I o

IVIIIIIIIII lI rilI rIV I

4 t 1Llr^ 0 ,EGctriclassl.?

^1tl

413 4 , 1 tlLLi \il:t, 4 3| 41rts--"r4lO

Ilr IIT I IV_IVIilIIil--JI

91

D Dorian Scale(Dm7)

3l r^ 1t 4tt7

ECaffi;sslt 3 41

IIIIIII

\++lt,t4)

3T

04 t oo qzoq2?t+l

II IIII IIV I

EGcÍióEasslA i n n2 4

23r 3

?ttíLyt, 13142_o+t o

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9)

G Phrygían Scale/A E\(Lrm,/ l

II 'III IIV.l

II IIII I

ECArfc Ba$lr ) 41

IV IIII III II

IV IIII '

93

C Lydian Scale(Crnaj7frrr)

r3)252

IIIII I I II IUI

ilIril

1T4/. 11311r:TrFcousti-cBass-l

o24024 ii:!, o o ,o4)ntÉ--v42O

II rlll rIV_

4 t^ it.-t- a zECArLEassl

o1241- rz!!liiiIV 'III r il r

iL3 L I , 1 4 '-',t o 2 I o

II IIII IIV I

ol

F Lydian Scale11)(F

3rìî

'ql)rnal/+t

lL

LII I o + z. o o-l o o tr +o2,+ozq

IVJ III I II I II ' III 'IVI

EtecEic Bast

12at-24r2

,. lil!1,,

IVIUIIII

L3:t,214 ztt421

IIIIIIIIVI

-lIT4riTr

-ìFcousti-c Bast

o r 4o2: 'rL:! r. o + zo_4 t o 4 1 o

IVIIIIIII'I II IIII IIV '

4112.110.,.IEGAiITassl

o1z4 \L3: ^ , 2, o3-ro2ro241

IV IIII III II I ilI IIV I

95

gb Lvdian ScaleJ(BbmajzfrII)

fÀcoustia Basal

t4o2^2'rtrt--.é -l f I

)t* +j+1 iiII

12 o 41

III---I II I I

ECA;icla{lt1l-r

IIIIIVIIIII

lrl1

rZll/l3

TI))+

lAcoustic Bass I

IV--J III I

1

t4 iI )tL!'^, ^

2 | + r-o 4 1oo 1 4 o r + o,z

IVIIIIIIII]

+O

II IIII II\'-

EGAricra$l

or+ol- ,iiil 1 , ,

IVIIIIIIIII

1-o + I o

IIIIII,IVI

96

Eb Lvdian Scale/(Ebmaj7f,rI)

II'

r3irt47lEcoust6Bassl

tqol+ trig2

9',l

Ab Lydian Scale(AbnajzilrI)

Faoumc Ba$l

t 1+O

II I III.I IV

ECAric BÍì-{l

tltzl

IIII IIIIIVI

Tt1,I

I + '^ tl

lriÀFconsttr-Basil

t2al+o11 or! o+ro4J42 7

I\/ I III I TT I [I I IIIJ IV I

'?./,1-',-) ' ^a'-r1,2+ i +

-1

ElécÍitBaEl1311,2124 1421t-]--03 r

IIIIIIIIVI

Db Lydian Scale(DbrnajZIrr)

EcousJir Ba*lI

A1t(1 14

^?tlz

I *; -c?tl

lTcoustEBtCltz4\,2+r4

IV IIII IIIJ

t4À1 4r.'t3't.lI r-:oZ'^tî

t4gl

99

FcousticBAt14y412 4

IVJIII 'II I

Gb Lydian Scale(Gbmaj7HII)

r q ?lriii '.-LlLLt, o r^qzl 12t A

II IIII IIV I

13ECAri-c Ba*l

2413 qt34 2ilLly o , 1- 4 3 | o-', t o

I rIII rIV-IVrIIIrill

lÀóoustfEasll24rz+12 4 , r zLlif ti|Lz t o , 41A.

--L

r42l

II |III I IV IIV |III I II I I

EGAri-cia*ltz4rzq13 4 I ? LLZL| Liir!2, o 2-,4

3

IV |III I II I I II |III I IV I

r00

B Lydian Scale

4t3rt4

11)

I3

-zIl/tl

3T

(Bmaj

tl2+ 4t

zlît

IIIIIII

Eb-Aiió Ba#lt)4, 1

IIIrilrl

LàeàL! z qEcoustic Basl

alZa

II IIII IIV I

101

Ecoustic Ba$l^A11la

E Lydian Scale@rnaj7|rI)

'4r),r41- tt2!LtÈ.|

ataTI

T14 14

'r!lt42tq 2-t4ro

IV----JIII rII rI T IIII IJV----J

,iLLLt, ,EleciirBa*loz4t2- Atz

2 4, ?llii L? t 4 2 2 t 4 2_t+zo

IV------JIII ril rI II IIII IIV '

iìl

Eaousti--Eassl

o14l.t

A Lvdian Scale/(Amaj7f,rI)

4 I \ LLLL| iLLi:,^ , ,4^1,4

IIIIIIII II IIII I

IV IIII I II '] llrlllrlvl

Ecousti-c Bassl

^11o l4u \L:t, , 4 2t,.1-!4ro

IVIIIIIIIII IITIII rIV I

t t),LLt.. '

Etecr'itBa{lArÀ12 ^,4rl

IV IIII III I I

+?zi!12 | 4 ? t-1 2 | 4 r o

II iIII IIV I

103

D Lydian Scale(Dmaj7frrr)

III

III-J II I IIITII

t T --l 3r.i 3 litttl)coustic Bass

0410,*9'+)lr

T,I3j 1q+l )t

'lI21

I

124

t)+-it'

IV IIII III 'I

4 | O 4 t_o 4 | O

{€}II 'III IIV I

f1'1tI + I -t - \ 1 lECA;ic Ba{l

^14ol4u'-21) L+:.,t411 | - ^a 42t41o40 0

<>IV r lll---------------- lI r I II | III rIV I

104

G Lydian Scale(Gmaj7frIL)

FcoustitBasslzol4014o

^)I

fr rl-l2r -lr-ttri. l r j

L'f!1 ,o+r uJ, rczt)14

14

IVIII III II

lElectric Bass I

Z+13+t-r4

IV-JIII IT I

!+-r I

II I III IIVI

. .1.T l:o?o-^l r4EcousriE Baft

o24o1-f:t-1i=o

4ot!í+"1l4 I

)t-+ lg

IV IIII Iil II{€}

ll ,lll rIV r

z+lll^ll-EtdrrF Basal

o 1 2 + 1J 3 4, !riiiIV IIT III 'I I |III rlv I

105

C Mixolydian Scale\\-/i

,ììl:1'rt1

FcousdaBast11o24c

II I III

r r r ________________ TT I III I

rì))?ìlT l: ta'- T t

lIl

iAcoustF Basil

o l 401: ai:!, o o , oS?o,o

IV IIII III I I

Emt'[ easn

II IIII IIV '

, | 2.4:1 "+ i+2+l+ 2

_:ruo1+ol

IV I III IIII II ITI

r06

F Mixolydian Scale

t+o1,+ot+ O Z ! LLLL; LLt 2 o + r o 4-1 041

iI I ilI 'IVI

13raii

(F7)

3I i+ 41

IVJ III I II I

tz42+r24 a-2+zr

lIrlllrlv,IIII'I

r07

Bb Mixolvdian Scale/(Bb7)

LiTr ll ii 2T

r--:---------=--lAcoustrc lJass

I

r 4 O | ^ r 4'---- j | |

14 l;1y1 o-.+ r

II ' IIII

IECA;icJasslt4t2

III I IV-IIV-J III I II I III

|RcoustióBa$l

1241,+ot+

1

s 1 \ LLLLil L),\, o 4to +fAt

-a / I

ll I III--I IV IIV I IIII II I

EÉÍ[ MCltl42cl24 LI), ,4 2 r

4) A t

lVtIV ITI I

108

Eb Mixolydian Scale

fEiamEml24r 2 + lt

AIaz,i '- t- 4 2 |

lll'll'l [I|IIIr

"t3trIJA?ÀJII J ^t}t'^)musrFBa$l

tz4r24r4

IV 'III IIIJ

2

OI \ILLLI lil;! z o , o4t4'!0, 1

IIJ III 'IV '

,3 r! lLLiLiLt ilElectric Bass I

tr4l34r2 ^t24

_IV IIII III I

4), 4 214tJ! t 1

IIl UI IIV I

BF22

109

Ab Mixolydian Scale( b7)

IIIII I II I I II IIII I IV

IV-J III I II I IIIIIIIIVI

FcoustiaEassl

124tzq,')+

4 1 \ at Llr 1 4 2 | 42J+zt

IV IIII I II I I II rilI rIV '

EGctricBastr24Lzq

,34 ,iiL!,1' )4

z + \at t-+ z 414 tJ-1 r,

IV ITI III II II rUI rIV r

il0

Db Mixolydian Scale(Db7)

II ' ilI--J

ECAri-cEa$l"\At')

III-J II ' I

^?^r ),o?o).r 7

IV------J[I rII rl IJ rilI rIV I

,12t24tz+r3 qt-llie

IV---JIII IU I I

111

lÀcousticJaúlI

r4l2^r\d'rll-'--ffiIVJ III I II I

=LLLLI o ,I Z \LLLL| ,l+21,t

Gb Mixolydian Scale(G67)

2

LilLlv o ,

II IIII IIV I

F;---- _-------l-blecmc bass

I

z4l2tt)4 Z + LILLi-

IVJ III ' II I

4z1A

II IIII IIV I

,1l Iol+12412

lv rilI- ì u I

4 t , LLLL| l,ii LLr, o

))3+3 t,.?+i2 3^ r q

[I ITI I IV I

21n\--Z

lElectric B-aTal

024lz+r2 4 , ,- LLtLi 31d,. 42o

lv r III- | lI I I il ITI ' IVI

tt2

B Mixolvd.ian Scale,/(87)

lAcoustic Bass I

III.J II I I

TÀ1/ lr14 lr

îlL 142

II I IIII

II ' IIIJ

ECArfteasslcltL

III_J II I I

|ncoútictassl^r4ot4u'-

t4t,lrtl2o-)r!: I I I ' + I O I | .ì

IV---J UI------r IJr I I[ | ilI_____r IV_ r

3 1.1,1.1,1 .. '

EGctriciasto14o2-

+?2i:1r142'-*, ,o,1 1o

IV-_J III-----.J II I I II , III..---J IV- I

113

EcdsticJasilo 1 4 0 l: LLr r 4 1 o + 1-o 4 1 o

II IIII IIV-

E Mixolydian Scale(87)

^ | t | 4 |y ,,ll;à.c.|

IV-----r III I II I I

EierJlrM;al'----,- r 2 1ol4l*-)4-

, t4t1, 4t--'J t42t 4141o

IVIIIII III I IVI

Ll+

A Mixolydian Scale(47)

mcoustrc M;alol40

t111Il

Ì+ frrT.íJt^rl

)r+', LA o4to4Jo

II -I III I

rlz+íi. 1t 4 l-+

2

IV-J ill I

îi 3rt1313

I

II ,IT IIV-I

tÀcousiicEa{l^r4o1+u'- 1.1

11t7

I

?-\i Itr!t^oo r o4 l-o 4 I o4()

IV rlII I II I I II IIII IIV I

ECAftgasal^14

i,^lii.l t , , 4-1 2 I o

IV r III I ll-j I____ lI I TII I IV r

r15

D Mixolydian Scale

III-J II I I

-l rl3l?,Tr:t?o"-llrîí î) 11

l4 Il9

IVIIIIIilII

IV 'III III II

116

G Mixolydian Scale(G7)

EcoustFBa*l+o24o24o

+\1+tI2+

3r;irt421r3?Íl 4t))-+t)

l+4l r

,1to+zo+

IVIII I II I II IIII IJV

EtdfffBasal)4lL^

IVJIII 'il II IIITIIIVJ

3 o3),3 tT'-atzL- T 4

1, 1.2t'- | 4

àî42

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14tÀEousrEBa$l

o 1 402: o4)n-l

- v 4 | O

II IilI IIV '

itt)1+4O o42

IV IIII III '

, ?4r1'^LtLt- 4 ziECAilciassl

o1401- 241 2 1 I:lLLi o-t, t o 4 | o

[I ' TI IIV IIV IIII III II

t4L2 4 | 2 4 L- tr

III-J II I I

tl7

C Locrian Scale(Cm7bs)

T/-a3iíAIl?l- 13214 14),

)t'^+1 4zt4

II I IIIJ

IIIIII' IIIIIII

Tt.-l

t3rî3iT3Fcousîicjast

12412+12 4 , r iLLLi Ii: \ + z t 4 ,-o o , ,

241

IVIilIIIIII II 'IIì IIV I

lElectric Bass | .t 4

| 2 4 1 + z + t z z llíetl4l;-^)c?p -'^ | 4

IVITIIII,I

LIlr, | 4 24_1421

II |III rIV r

118Ab Melodic-minor Scale

(Fm7bs)

IIr III I IV__-_r

Dt Melodic-minor Scale(BbmTbs)

119

ilI IT II IlIIIIJ

EGcúictsasslr 3 4l

III III I

II |III r IV I

110Gb Melodic-minor Scale

(Ebmzbs)

trcoustlA MGI

Ttt-+ LLi

.T

ìl4i2I

333

I2Ì

T1

.1 I2 h

1

lE-tecJJjr Bast

ri4131l,LLL;L:

II I I

2

331

2fÀcoustlcra$lIt24O1412 4l

)nl424t4t44

,11

2 lnrl'-" - L 1

II I III_r IV IIVrlllrllrI

',aLLi;LL, ,

124O1413 4 1,2 LLLii Ilrtrl + : r qlo,4')-"-'1

IVIIIIIIIII [I IIII I IV I

1ll

G# focrian Scale(cf,m7bs)

) o )2iiiir3T3 it T

14Fcousti-c Ba"{l

+o110141l4 2n!): | 1 -l l o 4

1 r 1!liii LLiL: t 1 4 3rt).+ 3

IV IIII I II I I II IIII I IV r

r1lL

1tl__ il I

t4Fóoustic Basn

o | 4 o I 4 iil:) r 4, Oarn 4ro

IV IIII III I I II IIII IIV I

4L|Ll.^3ECA;ia Bast

ot+21-

2r{

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t z ! lJitf ili ! I ,, 42_1 4 2 4 I O

II IIII IIV IIVIIIIIilI]

r22

Cf Locrian Scale(Cf,m7bs)

EcousticE-assl

4C-140

IIIII I IIIUI

IIIIIIII IrIIIl

,ìatJta

L -^tlt-^ | 4|Acousti-cia$l

o24o1j |i3! t o + to-1, 1 o 4 2 o

IVIIIIIIIII II rIII rIV_

Ei&rricJasno1211-

,13t 3 \Lt l_4 1 4 2 | O

II rul rIV '

t)4

IV I U{_J

123

F# Locrian Scale(Ff;m7b5)

I

O I !:LLLI^ 1^\t<t 1,

'.í+í )r^ q t LI:lo+ro o2o+zEcousticBast24o2+ot+

IV-I III I II , II I III IIVJ

))3+3EteAffiassl,11)+t)

IVIIIIIIIII II IIII IIV I

I .r3rT I 1)cL'-rlAcúsiicia$]

oz4o2-L4li4

.a4il+

3o1í iIz1+

4t14 1940 4ro+2-o+z o

€>IV IIII III I] I rIII rlv I

+t!lL!t'EGctrilBast

or2q13 2ilL1;0, | 4 | 2 t-+ 2 t o

€>IVIIII'IIII II IIII IIV I

124

EcoustiaBassl

24o2

B Locrian Scale(Bm7bs)

r1.f4t.+lJl4t44

^ 1e 2!tr4 4r

^r-a4tl4

III-J II I I

42042

II I II--r

FCAd-c Bast

t''0,'r24

IIIrIIl

4 2l 421

ill IIIl

+1r1+t4rLt?t)\ 2 +lAcousticBassl ^ 12+lttr:.4o2 lîl+o | 4 o 2-L-Z 4 o L l; +21 Lil oo 2o4 2o4ro

IV 'ilI III I II rIIl 'IV I

lElectric Bass | ^, "> 4 r _ , I t o Lliî I j n'_2-- 1 -[ ,

-e 2--

))r3+31^'-tf2t)\ 3 t

lZ 1 4 2 | 4 2 1 o 4l o

lv rilI rII rI [I 'TI IIV '

t25

G Melodic-minor Scale(EmZbs)

tTcousticBast

^^,l-r14 Lrlio 4 | o 4 t.o + z o

II IIII IIV I

IV IIII IT I

1t6

lÀcousficiast

^'>40

C Melodic-minor Scale(Am7bs)

rÀr,tl-ì1

IIIIIIII

EreAiióTa$l

^r24

IllrII'

r3)JI

3

)txrt7 I

t4trcoustia Ba^st

l4o2-+o14 s 1 I:i LLt 1 o + 1 o 12Ot,

IVJ III I II I III I IVJ

ECctrfaEassl

| 2 4I,z +

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+ r 1 :L4 41a, 32+^ | 4 2 14

IV IIII I II I I Il rilI rIV t

r21

F Melodic-mi nn r,Se;rieíili::l';,ì

ITI I II I I I ll.---,.---i lll_r

trcou-sti.^ Ba^st

.rJ/\rall

T\i r lllJ ll I I

ECEiI Ba{]n14

lv rlll rll rl

128 G Locrian Scale(cm7bs)

, t 2 -l

1 4 7!í"?l =LLL)I gEcousiicJa;n2 412 + | 4 O

IVJ III I II-J ]

Electilc Ba$lt)4, 1

IVIilIIII' IIIIIVI

Ecoúiiciast| 2 q t,z 41 4 O I \ LLLLL liLr!,0 , o+r-+2J-02

III III I IV IIV I IIJ----I IIJ

ECAiFEAssI14141224 1 2 I:iLLi |ílL,-, ^ ,

IV IIII I II II [IIIIIIIVI